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Commemorating Hrant Dink in NYC The New School – Kellen Auditorium, 2 West 13th Street, NY, Sunday 19 Jan. 12-4:00PM http://hranticinadaleticin.tumblr.com/
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Recycle.
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Can Erdogan look at the faces of these beautiful people w/o SHAME! More at:ROBOSKI: STATE, TRAGEDY, CONDOLENCEProject, Interactive BookUpcoming. 2012-2014 https://hakantopal.info/archives/portfolio/1401a (Source: https://player.vimeo.com/)
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ni–dieu–ni-maitre-91: Performance art In 1971, young American artist Chris Burden stood still while a friend aimed a rifle and shot him in the arm. The performance was caught on video. It was a violent time, with war in Vietnam…
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Geert Lovink presentation at Urban Media: Counter Agency, Counter Spectacle panel discussion that I organized as part of Amber Conference @OtekilerPostasi @glovink @k0a1a @amberPlatform
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WHAT NOW?Michael Hardt on Continuity and Leadership Global social movements lit up like constellations all around the world beginning in 2011. Protests in Egypt, Tunisia, the United States, Spain, Israel, then Turkey, Brazil, Bulgaria and Greece brought to the fore…
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newmuseum: Opening today: “Chris Burden: Extreme Measures,” the first New York survey of the artist and his first major exhibition in the US in over 25 years. Chris Burden was one of my heros when I was growing up as…
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Talk Turkey: Re-Thinking Life Since Gezi http://talkturkeyconference.com Friday, October 4, 2013 Kellen Auditorium, 66 5th Ave (13th Street) New York, Ground Floor, 1:00pm – 6:30pm Saturday, October 5, 2013 Wolff Conference Room, 6 East 16th Street New York, 11th Floor,…
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I have just started to my new school! @suny_purchase
Subjectile | Art, Politics, and Beyond + Updates
I am not a writer — or more precisely, a non-writer, in something like Laruelle's sense. Not the negation of writing, but writing that doesn't submit to what writing is supposed to be. No genre, no discipline, no claim on form. Also, it is occasionally painful.
The word subjectile comes from Derrida's The Truth in Painting (1978), borrowed from Artaud's idea of the canvas as more than a passive surface. It's a space of tension — between the physical and the intangible, between what is seen and what is concealed. So, writing is an ongoing experiment. Never a resolution. I have to do it.